I’m back home after an amazing week in Dubai. The Gulf Photo Plus FotoWeekend 2011 was a great event. My schedule was so full that, once it started, I had no time to blog. So, over the next week, I’ll be sharing a series of articles about the classes I taught and the pix of Dubai that I made during my trip.
GPP is the hub of a vibrant community of photographers in the Middle East. For years, GPP’s home was a relatively small office space. The night after I arrived, GPP opened its new home — which has plenty of space for a photo gallery, studio with cyc wall, classroom, and store. The inaugural gallery show “photoID” is a group exhibition of work by photographers Tamara Abdul Hadi, Ammar Al Attar, Richard Allenby-Pratt, Philip Cheung, Gerald Donovan, Hind Mezaina and Katarina Premfors. I soon discovered that the loft provided a great vantage point from which to shoot a series of pix with my Canon S95 pocket camera.
Many who know me, have heard me spout, “I choose to be a photographer and not a retoucher.” Yet, when it comes to stitching panoramas together, I’m happy to let Lightroom and Photoshop do the heavy lifting. Click on the pic above to see a larger version of my Opening Night pano. At full resolution, the image prints 15″ x 30″ / 39cm x 78cm at 300ppi. To see how it was shot and assembled, read on.
My post-capture workflow always begins with Lightroom. After selecting my four shots, I used the Develop module to balance the color and contrast across the shots. Then I selected all four images in LR’s Library module and hit Photo > Edit In > Merge to Panorama in Photoshop. The following dialogue box opens in Photoshop.
I always give the “Auto” layout a try. It often does a fine job without any work on my end. In this case, as you can see below, “Auto” distorted the gallery wall at the center of the frame. When this happens, I give “Collage” a try. The main difference with “Collage” is that it will rotate and scale a frame, but it does not warp. I noted that “Auto” did not show any doubles whereas, “Collage” allowed my friend Bobbi Lane to appear twice (which I loved).
So that you can get a sense of the true magic that Photoshop preforms, here are each of the four original captures followed by the frame as it was positioned and masked by Photoshop.
Follow Syl On Twitter
- What It’s Like To See In 100 Million Colors > http://t.co/W5BI7UTqXQ, Feb 28
- Great way to blow an hour or two…check out the latest entries in the @pdnonline Photo Annual contest > http://t.co/4On9MqO8CP, Feb 27
- Free NYC-seminar, Sun Mar 15, Crafting Great Light w/ Canon Speedlites > http://t.co/xENL7LbaGf, Feb 23
- Portraits of Famous Photographers with Their Iconic Photographs, via @petapixel > http://t.co/DlluF8FOHn, Feb 13
- Spreading my new love for trichroic lighting w/ my advanced photo students at Mission Prep. http://t.co/dooOLmvN0K, Feb 12
Cruise PixSylated By Topic