My obsession with color continues. Last night I worked on a photo to open the “Mechanics of Light” chapter in the new Speedliter’s Handbook. My original vision, much along the lines of the photo above, was to demonstrate how separate sources of red, green, and blue light combine to form all of the other colors.
In the photo above, you will see that the secondary colors of light—cyan, magenta, and yellow—appear as shadows. For instance, the magenta shadow on the left is created where the skull blocks the green light coming in from the right side—leaving red and blue to merge into magenta. Conversely, you can see the green light on the right side of the nose where the bone blocked the red and blue light coming from the left side.
As is the case sometimes, the picture I had in my head was better than the photos I was making. As you can see above, I explored the interplay of the light from a number of angles. The screenshot (out of Lightroom) shows about a third of the shots that I made before I decided to take a break. I had an interesting idea in my head, but did not feel that my photos were capturing that vision.
Discovering A New Path For Personal Work
When I came back, I impulsively crumpled a sheet of paper and positioned it where the skull had been. In an instant, I understood how to fill the gap between my vision and the shots I’d made previously—I needed to show the camera more faceted surfaces. More importantly, as I marveled at the tie-dye colors that I’d cast onto the white paper, I knew that I had found a new visual path to explore as a photographer interested in abstract images. [Read about my abstract Color Fields here.]
Trichroics is the word that I’ve appropriated for this new series. Dichroics are a type of optical filter that allows a narrow range of light to pass through. The bulbs that I used for this shoot are old dichroic flood lights at GE stopped making years ago. Trichroic, I figure, is a good word to describe my images made with a trio of primary colored lights. Geek speak: a trichroic filter refers to the pairing to two dichroic filters in a manner that splits RGB light into separate paths for each primary. As I said, I’m using my artistic license to appropriate Trichroic for my uses.
There’s a vibration that goes off inside artists when a new discovery resonates deeply. Seeing the interplay of RGB light on the facets of crumbled paper set my mind abuzz. This is just the beginning of a new personal project.
The primary colors of light are red, green, and blue.
- Red + green + blue = white light
- Red + green = yellow light
- Red + blue = magenta light
- Green + blue = cyan light
- Absence of light = black
Follow Syl On Twitter
- Recent Works: Fall 2016 https://t.co/ajz7T1i0ba https://t.co/1G9w3pi8Vt, Nov 23
- ‘Color Ribbon 9775’ To Be Shown In NYC At The Aperture Foundation Summer Open 2016 https://t.co/qsZUqL7h2t https://t.co/lDWsCkzQIq, Jun 3
- Canon Updates Its Flagship Speedlite: What's Different About the 600EX II-RT https://t.co/XixKliLJ9R https://t.co/p0idqK07uO, May 31
- Google’s Gigapixel Art Camera https://t.co/3hYhRWc9JK https://t.co/X16trcVnSK, May 19
- Please sign the petition to save Fujifilm FP-100C > https://t.co/Sa6jvf6FYC Fuji needs to know that instant pack film is still important., Mar 31
Cruise PixSylated By Topic